Contemporary Paintings

I visited an art gallery very recently and felt the influence of Europeanisation even on African art. I didn’t feel a deep connection with our arts anymore. Although these visual artists seem very creative, only few retained indigenous African themes such as libation, warfare, hunting, weaving, farming, fertility etc in their paintings. I think the appropriate term for these paintings should be “Europeanised paintings.” But maybe I’m wrong. It could also be that the artists are focusing on commercial appeal. Whatever the issue is we cannot blame the artist as he or she is simply mirroring society. The images have been added below for your viewing pleasure.

I think these are fishing boats at the shore.

Landscape

Abstract 

African woman (notice the backside)

This depicts an annual deer hunting festival by one of the tribes in Ghana. Can you see the live deer on their shoulders? 

Trio women feature a lot in paintings by Ghanaian painters. I don’t know what the obsession is with a woman’s backside. Almost every painting I saw depicting a full size woman showed the back of the woman. Maybe it’s true that Black/African men love women with big booty. Personally, I can’t say I care about size of booty.

This is a ghetto scene

Another abstract

Metal Figurines (drummers)

Looks like cubism. I don’t know what you see but I see sorrow.

Fabric, I think it’s hand woven.

African women are known to be very hardworking and I think they must be depicted as such not just making faces as seen in the painting. Our art has moved from communicating essence to simply communicating pleasure or evoking emotion…… And who is this guy in the shot? 

O it’s me.

This is the entrance to the gallery. The name of the gallery is Nubuke Foundation. They have been commited to preserving and promoting art in Ghana for over ten years and they always offer a friendly and warm environment for all visitors. That’s all folks.

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A Visit To The Past

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A recent visit to a local antiquity shop has changed my perspective about the human existence. I mean it’s one thing to see ancient art and antiquity in magazines, newspapers, on television or even on the web and it’s quite another to stand in the same room with objects purported to have been used by our ancestors over half a millennia. This is simply overwhelming – bronze masks, wooden pestles, bowls and spoons, fertility dolls, tables, chains used to bind slaves, statuettes in the form of animals – these are not only expensive art pieces but also the crudest of their kind. The most compelling stories are often imprinted on domestic objects, such as wooden spoons or ladles or beds which, from looks, were obviously hand fashioned.

Anyone of African descent or anyone with an interest in Africa should have the time to visit Africa and see these things. Sometimes an artifact can tell a thousand tales at once. These objects that I saw have both historical and sentimental value; tears well up when an attendant showed me the chains in which slaves were shackled and sent to the land of doom. The slave trade has such great lessons for the black race. If only we knew what went on in the dungeon in Cape Coast, if only we knew how many slaves were thrown overboard either because they were ill or attempted a rebellion, we would read and read and employ ourselves to learning how the world works. But sadly these things are not even taught in African schools today. It is very unfortunate that I couldn’t take any photographs because notices were clearly affixed to the walls that said photography was not allowed inside.

One of the questions which has repeatedly been raised by art critics in the western world is that indigenous African art is not understandable or rather difficult to understand. I first heard of this as an art student attending a colloquium hosted locally by a delegation from New York University, in I think, 2007. The main point of my discourse is this: One fails to understand art unless one can look at it from the perspective of the artist or unless one shares a common archetype or experience with the artist. Art gives clues to some basic truths about life although it itself doesn’t lead to the truth.

When you look at a wooden fertility doll of any of the tribes of Africa, you will not see anything realistic. The proportions are unreal, the figures themselves look stiff and highly symbolic and most body parts are not fully designated except those which the carver wants to draw attention to. This is because the artist is not interested in simply replicating nature. He is creating the doll for a purpose, not simply for decoration. Consider the following dolls from different parts of the world and you will notice similarities in anatomy- they all emphasize feminine features. These crude figurines tell the observer that different ideas about life developed in different places at the same time.

“Venus or woman of Willendorf” (Named after the site in Austria where it was unearthed)

Steatopygous Idol from ancient Greece

Steatopygous Idol from ancient Greece. Also probably a fertility doll.

Fertility statue of the Akan tribe of Africa

Wooden fertility statue of the Akan tribe of Africa

African fertility dolls are mostly used for performance of  rituals usually for young girls when they reach puberty. The doll usually has feminine qualities such as breasts, hips and buttocks emphasized, like all three images above and of course this creates what the western critic will call distortion or irrationalism to which I completely agree. But art expresses the inner significance of things not the outer (Aristotle, 384-322 BC). Unlike the Corinthian statues of Zeus or Aphrodite which are realistic and life size, African art is highly symbolic and symbolism is the end product of imagination. Look at the Akuaba fertility doll and you get to know how the artist was feeling and thinking the whole time and the purpose to which the doll will be put. Moreover the doll itself was considered a good luck charm for barren women desirous of children, so it solves an emotional problem in the larger cultural context. In conclusion, the art forms of Africa are a tool, an aid to everyday living. The purpose or use is of higher priority than mere beauty and this why they appear symbolic or even bizarre. There is no logic but there is truth – emotional truth.